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Belvedere Apollo : ウィキペディア英語版
Apollo Belvedere

The ''Apollo Belvedere'' or ''Apollo of the Belvedere''—also called the ''Pythian Apollo''〔
Réveil, Etienne Achille and Jean Duchesne (1828), (''Museum of Painting and Sculpture, or Collection of the Principal Pictures, Statues and Bas-Reliefs, in the Public and Private Galleries of Europe'' ), London: Bossanage, Bartes and Lowell, Vol 11, pg 126. ("The Pythian Apollo, called the Belvedere Apollo")〕— is a celebrated marble sculpture from Classical Antiquity. It was rediscovered in central Italy in the late 15th century, during the Renaissance. From the mid-18th century it was considered the greatest ancient sculpture by ardent neoclassicists, and for centuries epitomized ideals of aesthetic perfection for Europeans and westernized parts of the world. It is now found in the ''Gabinetto delle Maschere'' of the Pio-Clementine Museum of the Vatican Museums complex.
==Description==
The Greek god Apollo is depicted as a standing archer having just shot an arrow. Although there is no agreement as to the precise narrative detail being depicted, the conventional view has been that he has just slain the serpent Python, the chthonic serpent guarding Delphi—making the sculpture a ''Pythian Apollo''. Alternatively, it may be the slaying of the giant Tityos, who threatened his mother Leto, or the episode of the Niobids.
The large white marble sculpture is 2.24 m (7.3 feet) high. Its complex ''contrapposto'' has been much admired, appearing to position the figure both frontally and in profile. The arrow has just left Apollo's bow and the effort impressed on his musculature still lingers. His hair, lightly curled, flows in ringlets down his neck and rises gracefully to the summit of his head, which is encircled with the ''strophium'', a band symbolic of gods and kings. His quiver is suspended across his left shoulder. He is entirely nude except for his sandals and a robe (''chlamys'') clasped at his right shoulder, turned up on his left arm, and thrown back.
The lower part of the right arm and the left hand were missing when discovered and were restored by Giovanni Angelo Montorsoli (1506–63), a sculptor and pupil of Michelangelo.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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